2024-03-29T13:03:00Z
http://kata.petra.ac.id/index.php/ing/oai
oai:kata.petra.ac.id:article/18968
2019-04-04T05:46:07Z
ing:ART
oai:kata.petra.ac.id:article/18969
2019-04-05T08:18:52Z
ing:ART
oai:kata.petra.ac.id:article/18971
2019-04-05T08:51:18Z
ing:ART
oai:kata.petra.ac.id:article/18985
2020-02-21T03:23:06Z
ing:ART
The Phonological Errors by Dutch Exchange Students in Reading Indonesian Texts
Wijaya, Henny Putri Saking
Mustamu, Yohanes Theodorus
In this study, the five non-existing Indonesian sounds in Dutch sound system was observed because these sounds cause a problem. Moreover, the writers analyzed the phonological errors produced by the Dutch exchange students. The theories were from Moeliono and Darwowidjojo (2003) for the Indonesian consonants and from Mennen, Levelt and Gerrits (2006) for the Dutch consonants. The findings show that there were five Indonesian sounds that do not exist in Dutch sound system. Furthermore, the Dutch exchange students produced phonological errors in initial, medial and final positions. Also, from the observed sounds, thirteen deviations occurred. In conclusion, the phonological errors in five observed sounds produced by the Dutch exchange students happened because of the L1 transfer and the lack of knowledge of Indonesian consonants.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/18985
10.9744/kata.19.2.48-54
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 48-54
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/18985/18656
Copyright (c) 2017 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19015
2019-04-10T07:30:37Z
ing:ART
oai:kata.petra.ac.id:article/19016
2019-04-23T05:58:05Z
ing:ART
oai:kata.petra.ac.id:article/19019
2019-04-10T06:52:24Z
ing:ART
oai:kata.petra.ac.id:article/19028
2020-10-26T14:07:39Z
ing:ART
"More than kin and less than kind": Hamlet and his (linguistic) problems
Mahdipour, Alireza
Abbasi, Pyeaam
T.S. Eliot's "Hamlet and His Problems" (1921) seems to be a pretext to add another erudite concept to the lexis of literary criticism. He charged both Hamlet and Hamlet of lacking "objective correlative." Eliot's own problem with the play, however, seems to arise from his particular epistemological perspective, his formalism, and even his implicit structuralism, and moreover, from his traditional, classic Cartesian modernity that suffers him to hold the notion of subject-object dichotomy in his literary speculations. Hamlet's problem, however, surpasses T. S. Eliot's structuralist view and anticipates the poststructuralist linguistic enigma. Hamlet and Hamlet's problems are, together with the other characters that are caught in the maze of language, linguistic. Hamlet's epistemological/ontological quest for the meaning or the truth are checked, patterned, done and ultimately undone by the language. He cannot find any "objective correlative" for his "particular emotion," for, in the signifying system of the language, all he can think or feel is restrained by "words". He cannot escape from the symbolic order of the language until his death, and "the rest is silence".
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19028
10.9744/kata.20.1.1-8
k@ta; Vol 20 No 1 (2018): JUNE 2018; 1-8
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19028/18617
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19030
2020-02-21T03:23:06Z
ing:ART
Destruction of Bekisar Merah: Antoine Berman’s Deforming Tendencies in The Red Bekisar
Uktolseya, Christy Maya
Bekisar Merah, a novel by prominent Indonesian writer Ahmad Tohari, had been translated into its English version The Red Bekisar. Being a literary work thick with Javanese culture with all its depth and uniqueness to the global literary world, the original work is compared to the translated work and furthermore analyzed using Antoine Berman’s ‘negative analysis.’ Berman suggested that in translating a foreign text, foreign elements should be kept and not destroyed by familiarizing them to the receiving culture. Using the ‘deforming tendencies’ in his concept, three foreign deforming tendencies can be found in The Red Bekisar : the destruction of underlying network signification, the destruction of the linguistic patterns, and the destruction of vernacular patterns or their exoticization. Through the samples taken and the analysis, it is found that the three deforming tendencies are making drastic changes and even loss to many elements in the novel, such as their meanings, unity, rhythm, degree, coherence in the line of thoughts, and the richness in the foreign elements.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19030
10.9744/kata.19.2.41-47
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 41-47
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19030/18621
Copyright (c) 2017 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19036
2020-02-21T03:23:06Z
ing:ART
Settings Transposition of the Scientific Elements in Hiroshi Teshigahara’s Adaptation of Kobo Abe’s the Face of Another
Sutandio, Anton
This article focuses on Hiroshi Teshigahara’s film adaptation of the famous Kobo Abe’s The Face of Another with special attention on the transposition of the scientific elements of the novel in the film. This article observes how Teshigahara, through cinematic techniques, transposes Abe’s scientific language into visual forms. Abe himself involved in the film adaptation by writing the screenplay, in which he prioritized the literary aspects over the filmic aspect. This makes the adaptation become more interesting because Teshigahara is known as a stylish filmmaker. Another noteworthy aspect is the internal dialogues domination within the novel narration. It is written in an epistolary-like narration, placing the protagonist as a single narrator which consequently raises subjectivity. The way Teshigahara externalizes the stream-of-consciousness narration-like into the medium of film is another significant topic of this essay.
Keywords: transposition, scientific element, adaptation, The Face of Another
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19036
10.9744/kata.19.2.63-70
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 63-70
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19036/18624
Copyright (c) 2017 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19040
2020-02-21T03:23:29Z
ing:ART
The Role of Girls as Mothers in Harry Potter Series
Fransisca, Marcelina
Mochtar, Jenny
This study focuses on the role of the female characters in Harry Potter series. It aims to find out the ways the female characters, Hermione Granger, Ginny Weasley, and Luna Lovegood take a mother role for Harry, whereas they are in their teenage years. Using Barthes’ theory on myths, this study identifies that there are two myths that are in operation, the myth that girls are supposed to be mothers and the myth that mothers are supposed to protect, nurture, and educate. As the agents of the myths,the three teenage girls willingly take their role as mothers role that are assigned to them. These three female characters take their roles as mothers to Harry in how they protect, nurture, and educate Harry. In response to this, Harry also succumbs to the position of being protected, nurtured and educated by these three girls. Despite Rowling’s claims on her being a feminist when she said that “I’ve always considered myself as a feminist” (Rowling, 2011), she cannot escape the myths on girls and women. Rowling sees that being a mother is the most powerful role for girls and women
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-06-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19040
10.9744/kata.19.1.1-7
k@ta; Vol 19 No 1 (2017): JUNE 2017; 1-7
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19040/18582
oai:kata.petra.ac.id:article/19041
2020-02-21T03:23:29Z
ing:ART
The Omnipresence of Television and the Ascendancy of Surveillance/Sousveillance in Ray Bradbury’s Fahrenheit 451
Abootalebi, Hassan
This paper is an attempt to analyze Ray Bradbury’s Fahrenheit 451(1953) under the light of Jean Baudrillard’s notions on the media and the influences it exerts on people’s daily lives, and with an eye to Michel Foucault’s surveillance as well. The title-mentioned work, it is suggested, portrays a representative sample of a culture where different fields including books, education, and history fall under the influence of the media. Bradbury presents a society in which its inhabitants are bombarded with excessive data transmitted through television most of which is detrimental and not reliable. It is concluded that the presented culture in the novel is a microcosm of contemporary societies where authorities keep their subjects under control, engendering an atmosphere of anxiety, trepidation and apprehension for subversive forces and therefore preclude any disturbance on the part of them
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-06-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19041
10.9744/kata.19.1.8-14
k@ta; Vol 19 No 1 (2017): JUNE 2017; 8-14
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19041/18586
oai:kata.petra.ac.id:article/19042
2020-02-21T03:23:29Z
ing:ART
Representation of Aloneness in Forever Alone Guy Comic Strips
Chandra, Pricillia
Basuki, Ribut
This study aims to discuss the representation of aloneness in Forever Alone Guy comic strips. The purpose of this research is to find out how the meaning of aloneness is constructed in the representation of Forever Alone Guy through the theory of representation described by Stuart Hall (1997, 2013). In the theory suggested by Hall, it is described that there are two ways to be done in creating representation. Those ways are through language/sign and mental representation. The mental representation is the only way used in this research with a reason that this analysis focuses to the stigmas attached to the concept of aloneness. The analysis shows that the construction of meaning is done through embedding clusters of negative stigmas to the three entities: single, alone and lonely. Thus, through the analysis, it can be concluded that the dominant meaning which represents being single and alone as the ‘imperfect’ condition plays an important role in the construction of the meaning
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-06-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19042
10.9744/kata.19.1.15-24
k@ta; Vol 19 No 1 (2017): JUNE 2017; 15-24
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19042/18583
oai:kata.petra.ac.id:article/19043
2020-02-21T03:23:29Z
ing:ART
A thematic analysis of Palahniuk’s fiction in light of Epicureanism
Shahriari, Hesamoddin
Toosi, Ghazal
Chuck Palahniuk is a contemporary American writer whose novels have been adapted into acclaimed Hollywood motion pictures. Palahniuk’s literary style is often branded as modernist with nihilistic undertones. In spite of such views, in this article, we argue that through a close reading of Palahniuk and a critical interpretation of the recurrent themes in his novels, one can find traces of Epicurean philosophy echoed through the ages. Though different in means, both Palahniuk and Epicurus seem to highlight the importance of and the strive for achieving a state of ataraxia through overcoming fear and aponia through transcending physical pain and torment. After providing an introduction to Epicurean thought and Palahniuk’s style and works, connections will be established between the various shared elements and themes
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-06-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19043
10.9744/kata.19.1.25-31
k@ta; Vol 19 No 1 (2017): JUNE 2017; 25-31
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19043/18584
oai:kata.petra.ac.id:article/19044
2020-02-21T03:23:29Z
ing:ART
People and Nature in Asian Stories: Reading and Writing Materials for Eco Education
Dewi, Novita
The purpose of this article is to make parents/teachers/writers of children literature aware of eco education through stories about people and nature. Written through the eyes of a child, many conservation stories not only empower the young minds, but they also help adults change their attitude to respect environment. The first part of this article examines such environmental stories as fables, folklores, short stories from Asia, while the second part is a project report on writing eco education materials, i.e. a serial of 3 environmental stories for young adults. Using Ecocriticism and Postcolonial perspectives to analyze the stories, the study shows that the narrative strands found in the stories include (1) depletion of the earth and natural resources, (2) people’s greediness, and (3) preservation of the traditional wisdom. Some stories are still anthropocentric so as to provide no space to explore fully the human-nature relationship in a balanced way. Although animal stories dominate the narratives, it is the specific and philosophic depiction of place and nature that give the stories Asian characteristics in their shared campaign to save our planet. This study concludes that the call for environmental protection can be done through young adult literature in a non-condescending manner instead of the usual patronizing-colonizing method
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-06-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19044
10.9744/kata.19.1.32-40
k@ta; Vol 19 No 1 (2017): JUNE 2017; 32-40
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19044/18587
oai:kata.petra.ac.id:article/19055
2020-02-21T03:23:06Z
ing:ART
Transcultural Hamlet Representations of Ophelia and Gertrud in 21st-century Iran
Jalayer, Robabeh
Anushiravani, Alireza
Multitudes of intermedial Shakespearean adaptations have captured Iranian theatrical stage, cinema or radio as the Bard’s texts are frequently modernized, transfigured and indigenized especially since 1975. Hamlet works well in the mechanisms of temporality, spatiality, power, control and sexuality, socio-political discourses, economic upheaval, female self and gender struggles even in the twentieth and twenty-first centuries. Hence, Iranian directors such as Varuzh Karim-Masihi and Arash Dadgar as well as the British director Gregory Doran have re-interpreted this text based on new ideological grounds in which the characters are at times similar or different. In this article, the transformation and characterization of major characters, especially female ones such as Gertrud/Mah-Tal’at and Ophelia/Mahtab, are analyzed based on Hutcheon’s Adaptation Theory and Foucault's surveillance to see how they are represented in an Asian society whose Islamic ideology necessitates a unique transcultural, transhistorical rendition. The comparative study of these works reveals that since Shakespeare’s era, women's social representations have gone under great changes although the governments' surveillance has largely increased.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19055
10.9744/kata.19.2.55-62
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 55-62
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19055/18623
Copyright (c) 2017 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19071
2020-02-21T03:23:06Z
ing:ART
Mediocrity Madness: the Destructive Effects of Antonio Salieri’s Narcissistic Personality Disorder in Amadeus
Harsono, Ivonne Muliawati
Industriousness is generally perceived as a noble trait. Such mindset is firmly ingrained within the society through religious teachings and moral virtues. Since the foundation of identity is shaped through difference, many people endure tedious labour to either arrive at a socially-approved level or surpass that level. For individuals with Narcissistic Personality Disorder, the struggle to dismiss mediocrity may result in a form of madness conveyed through destructive actions towards both the subject and the object. The purpose of this paper is to identify the phases through which Antonio Salieri’s Narcissistic Personality Disorder in Amadeus triggers a series of destructive effects aimed at himself and others. This research concludes that the transition from the sense of mediocrity to mediocrity madness for people with Narcissistic Personality Disorder can be divided into three phases: the acknowledgment of mediocrity, the narcissistic wound, and the mediocrity madness.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19071
10.9744/kata.19.2.71-76
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 71-76
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19071/18625
Copyright (c) 2017 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19079
2020-10-29T08:57:20Z
ing:ART
Women and Pleasure in Guillaume Apollinaire’s Calligram Collection Poèmes à Lou
Agustin, Eva
Udasmoro, Wening
This article attempts to examine the connections between poetry and the constructions of women and pleasure emphasized by the author. The works examined are those of Gullaume Apollinaire, a famed French poet whose calligramatic poetry collections specifically positioned women as objects of pleasure. Most interestingly, in Apollinaire's poetry the depiction of women as objects of pleasure through connotative symbols that can only be given significance by decoding the highly cultural meanings they contain. The theory of the male gaze is used here to examine how visual pleasure has been operated by the poet. Meanwhile, semiotics has been used to decode the calligrammatic aspects of Apollinaire's poems. This research finds that symbols of exoticism, reproduction, and fantastic pleasures are utilized by Apollinaire in his poetry to emphasize his dominance of women by positioning them as objects of pleasure.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19079
10.9744/kata.20.2.60-67
k@ta; Vol 20 No 2 (2018): DECEMBER 2018; 60-67
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19079/18610
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19105
2020-10-26T14:07:39Z
ing:ART
Post-traumatic people in Paul Auster's The Book of Illusions from Cathy Caruth's and Michelle Balaev's perspectives
Sasani, Samira
Arjmandi, Diba
In his novel The Book of Illusions, Paul Auster displays his knowledge not only as a writer, but also as a talented critic of cinema, painting and world literature. Opening up the question of identity after the loss, Auster presents the reader with the traumatic form of grief over the dead ones. The trauma which is portrayed in The Book of Illusions is the direct experience with death, with those who are left behind and for those who find death as the only solution for being forgiven. Strangely enough, while the main theme is death, Auster portrays the ways of resistance and the power of love to shape the process of post-traumatic identification. Precisely the aim here is to analyze Auster’s novel with the help of new theories that are introduced recently into the realm of literary criticism and trauma studies by Cathy Caruth and Michelle Balaev. By studying different opinions about loss and trauma and applying new perspectives, this research scrutinizes Austerian characters. Therefore there is a survey, a study of trauma from vantage points of traditional model theoreticians like Caruth and also pluralistic model argument represented by Balaev. Keywords: Paul Auster; The Book of Illusions; Trauma Theory; Cathy Caruth; Michelle Balaev
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19105
10.9744/kata.20.1.9-17
k@ta; Vol 20 No 1 (2018): JUNE 2018; 9-17
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19105/18616
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19106
2019-04-05T05:33:11Z
ing:ART
oai:kata.petra.ac.id:article/19107
2019-04-05T06:00:26Z
ing:ART
oai:kata.petra.ac.id:article/19108
2019-04-05T06:08:36Z
ing:ART
oai:kata.petra.ac.id:article/19109
2019-04-05T06:15:19Z
ing:ART
oai:kata.petra.ac.id:article/19110
2019-04-05T06:23:13Z
ing:ART
oai:kata.petra.ac.id:article/19111
2020-02-21T03:23:06Z
ing:ART
Ahmad Tohari’s The dancer: Revisited
Setiawan, Dwi
As with many post-colonial countries, Indonesia has suffered from a long conflict between the military and civil society since its independence in 1945. This struggle is reflected in Ahmad Tohari’s novel entitled The dancer (2012), which has been largely credited as being critical towards the military regime. Using the theories of depoliticisation, I argue that the novel is 1) largely supportive of the military regime due to the oppressive situation as well as the author’s own political line, and 2) influenced by other powers besides the government. The fact that the novel dares to touch the once suppressed subjects of the Indonesian Communist Party (the arch enemy of the regime) and the anti-communist persecution shows a drive for politicisation. Nevertheless, further analysis shows that, by portraying it as highly political, The dancer actually depoliticises the party in that it only reinforces what has been said of the party and removes any alternative points of view. It also represses and depoliticises the military’s persecution and killing of the suspected communists through the pretexts of self-defence, ignorance, and guilt.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2017-12-01
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19111
10.9744/kata.19.2.77-86
k@ta; Vol 19 No 2 (2017): DECEMBER 2017; 77-86
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19111/18593
oai:kata.petra.ac.id:article/19114
2020-10-30T04:20:09Z
ing:ART
The Homeland of Stereotypes
Keramatfar, Hossein
Following the trenchant critique of orientalism, orientalist discourse has employed complex strategies to create ambivalent non- Western stereotypes. The earlier fixed oriental characters are often discarded; they are instead accorded certain amounts of flexibility. However, the fact is that despite such changes and these less negative images, orientalist discourse continues producing the Oriental other to perpetuate Western domination. In fact, it simply draws upon old repertoire of stereotypes, recycles them, and produces new ones; only care is taken that they do not sound as markedly negative as the old ones. The present paper seeks to investigate how the American TV series Homeland (2011-) repeats the imperialist claims of the orientalist discourse by presenting a range of oriental character types, from the classic Muslim terrorist to some less negative characters. It employs “Negative formulas” to produce more ambivalent stereotypes to reinforce the alleged essential superiority of America. The series stages the character of the captive mind as the ideal oriental type to be imitated by all Orientals. The paper also demonstrates that how Homeland employs the orientalist theme of nativization, again only to prove the eventual un-contaminability and superiority of the West. Islam and Iran are the particular targets of Homeland’s stereotyping.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19114
10.9744/kata.20.2.53-59
k@ta; Vol 20 No 2 (2018): DECEMBER 2018; 53-59
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19114/18609
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19117
2020-10-29T08:57:20Z
ing:ART
Rethinking Developmentally Appropriate Concept in Indonesian Picture Bible Story Book
Primasanti, Kartika B.
Yoanita, Desi
In Christian education, inheriting faith values to children since a young age is a pivotal responsibility for parents, the church, and Christian education institutions. According to a previous study, inheriting these values is applied through the tradition of reading illustrated Bible together with parents. In this study, illustrated Bible is not the Bible. It is illustrated literature that contains Bible stories. Using the perspective of Developmentally-Appropriate, the researchers elaborated how illustrated Bible in the marketplace have or have not used the developmentally appropriate concept for young children. This research will be a reference to design illustrated Bible for young children, in the form of printed book or application, and a reference for parents and educators to choose an illustrated children Bible which is appropriate for a child’s age, and for publishers to give age label for children Bible products. Keywords: children Bible, illustrated Bible, developmentally appropriate
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19117
10.9744/kata.20.2.68-75
k@ta; Vol 20 No 2 (2018): DECEMBER 2018; 68-75
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19117/18611
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19125
2020-10-30T04:19:04Z
ing:ART
On the Acquisition of English Voiceless Stop VOT by Indonesian-English Bilinguals: Evidence of Input Frequency
Zen, Evynurul Laily
The paper attempts to investigate the acquisition of Voice Onset Time (VOT) of voiceless stop consonants of English /p/, /t/, and /k/ by Indonesian-English bilingual children in its close relation to how second language (L2) input shapes the L2 VOT production. It looks at two different groups of children with native and non native input environment; (1) one 6-years-old girl receiving extensive exposures of English natives from YouTube in about 8 hours per day since she was two in addition to having interactive communication in English with her family members (2) four students (aged 7-8 years old) enrolling in English Partial Immersion Program with non-native environment of English. The comparative analysis concludes that the VOT values differ significantly across different inputs. The children with non native input acquired much shorter VOTs falling within the average of 28 – 36 ms, while those with native input could achieve native-like VOTs in the average of 69 ms for /p/ and /t/ and even longer for stop consonant /k/.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19125
10.9744/kata.20.2.45-52
k@ta; Vol 20 No 2 (2018): DECEMBER 2018; 45-52
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19125/18608
http://kata.petra.ac.id/index.php/ing/article/view/19125/18613
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19126
2020-10-26T14:07:39Z
ing:ART
The Illusory World of a Peculiar Man: A Psychoanalytical Study of Nicholai Gogol’s “Diary of a Madman”
Moosavinia, Sayyed Rahim
Bavarsad, Ala
To become clear, the concept of madness, the hows and whys that follows the recognition of it needs a discerning view. Thereupon, this research is going to study the madness of the main character of the short story “Diary of a Madman” written by Nikolai Gogol in which he meticulously illustrates how a madman’s mind operates. A pivotal concept to be dealt with is the power of unconscious, which according to Sigmund Freud has a considerable influence on the psychic system. Freud maintains that if the Ego is not able to keep a balance between its demands and the unconscious desires, Psychosis happens. In madman’s case, it is Schizophrenia. The madman shows abnormalities like hallucinations, delusions, disorganized speech and disorganized behavior which are all symptoms of schizophrenia. Each symptom will be discussed in detail through the study. Another issue which is worth being elucidated is the madman’s place in Lacanian Orders. Jacques Lacan depicts psyche’s development in three orders or phases: The Real, the Imaginary, and the Symbolic. In this research the focus will be on the imaginary order as the madman shows signs of being stuck in this phase without any positive movement toward the next, the symbolic. According to Lacan, psychosis is the consequence of the incapability in entering the symbolic order. Accordingly, this research will study the madman’s psychosis and his situation in the psychic world.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19126
10.9744/kata.20.1.27-35
k@ta; Vol 20 No 1 (2018): JUNE 2018; 27-35
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19126/18619
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19129
2020-10-26T14:07:39Z
ing:ART
Semiotics for Interpreting Quilt’s Cultural Values from the U.S. and Indonesia
Dukut, Ekawati Marhaenny
Historically, quilt making has been recorded in the United States (U.S.) since the 18th century not only for its function but for the social expression of its people to their environment. The different colors and symbols used in designing and making quilts give knowledge to what quilt creators want to express. By use of library research and semiotics for an analytical-descriptive discussion, the socio-cultural and historical perspectives of U.S. quilts are found to explain how designs have evolved from the 18th to the 21st century of the U.S. The semiotics method has also shown how through an American Studies transnational process of cross bordering countries, the U.S. quilt has influenced its neighboring countries, like Indonesia. This article shares how a number of U.S. quilt patterns, colors and cultural values are found in Indonesian quilt. Among the cultural values found are the maintenance of loyalty and obedience. Interestingly, while the U.S. cultural value of individualism is respected, the Indonesian collectivism is preferred more in quilt making.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19129
10.9744/kata.20.1.18-26
k@ta; Vol 20 No 1 (2018): JUNE 2018; 18-26
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19129/18618
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19187
2020-10-30T04:17:55Z
ing:ART
Packaging Consumption: Stylistic Devices and Persuasive Functions of American and Indonesian Advertising Slogans
Utomo, Gabriella Tiara
Suprajitno, Setefanus
This study discusses the significance of style in creating indelible and iconic slogans that endures time. In this study, by using qualitative content analysis, I examine the stylistic devices of the ten American and Indonesian food and beverages slogans in order to find out their persuasive functions. In my analysis, I utilize three levels of stylistic analysis: phonological, lexical, and grammatical. My findings show that the most significantly used devices are the devices at the lexical level, then followed by those at grammatical and phonological level. My findings also show five recurring usages of the stylistic devices that help invoke the buying motives within the customers, namely idioms and proverbs, personification, humor, emotional appeal, and imagery. The usages serve a persuasive function by aided in influencing customers into purchasing the goods offered by the brand.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2018-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19187
10.9744/kata.20.1.36-44
k@ta; Vol 20 No 1 (2018): JUNE 2018; 36-44
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19187/18620
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19208
2019-04-05T04:56:22Z
ing:ART
oai:kata.petra.ac.id:article/19211
2019-04-05T05:03:21Z
ing:ART
oai:kata.petra.ac.id:article/19212
2019-04-05T05:11:50Z
ing:ART
oai:kata.petra.ac.id:article/19213
2019-04-05T05:16:06Z
ing:ART
oai:kata.petra.ac.id:article/19216
2019-04-05T05:20:21Z
ing:ART
oai:kata.petra.ac.id:article/19226
2021-07-13T10:07:53Z
ing:ART
King Lear: A Negatively Capable Outsider
Salimian Rizi, Hossein
Negative capability, John Keats’s coined term, defines the ideal poet as being capable of being in uncertainties and mysteries without any irritable reaching after fact and reason. He insists that poets let the mind be a thoroughfare for all thoughts, by holding no fixed identity but metamorphic identities. Although Keats finds the ideal quality of a poet in Shakespeare the poet, it does not appear far from logical to investigate it in the characters of his plays, specifically king Lear, as he undergoes changes throughout the story and cuts across his enclosed self to enrich his receptivity to the actual vastness of life experience after he is estranged and labelled as an outsider in his erstwhile kingdom. In the present study I will employ the ongoing vigor of negative capability to take a step further ahead of its theoretically stipulated implications and investigate it on the character of king Lear.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-01-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19226
10.9744/kata.20.2.76-82
k@ta; Vol 20 No 2 (2018): DECEMBER 2018; 76-82
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19226/18612
Copyright (c) 2018 k@ta
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19231
2019-04-04T03:48:52Z
ing:ART
oai:kata.petra.ac.id:article/19238
2021-07-13T10:07:51Z
ing:ART
The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House”
Yulianto, Wawan Eko
Faith is a vital element in the works of Nobel laureate Alexander Solzhenitsyn, a Russian writer who experienced the notorious Gulag and difficultly in a strongly atheistic country. However, faith is never a simplistic topic for Solzhenitsyn, especially writing in a time when religion was officially shoved aside from the public discourse. In the light of a set of views on religion inferred from Terry Eagleton’s essay, this paper aims to explain the anomalous religiosity as seen in the narrators of Solzhenitsyn’s novel One Day in the Life of Ivan Denisovich and short story “Matryona’s House.” According to the Eagleton’s model, there are three stages of religiosity, namely, 1) omission of religion’s otherworldly and pure ritualistic elements, 2) acceptance of mentally-empowering potentials of religion, and 3) internalization of the humanistic values of religion. The analysis concludes with a notion that One Day in the Life of Ivan Denisovich and “Matryona’s House” represent an evolution of faith that has gone through a period of challenge. On a sidenote, the analysis also confirms the dialogic nature of Solzhenitsyn’s works, in which one topic is presented through contradictory voices.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19238
10.9744/kata.21.1.42-50
k@ta; Vol 21 No 1 (2019): JUNE 2019; 42-50
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19238/18655
Copyright (c) 2019 Wawan Eko Yulianto
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19253
2021-07-13T10:07:50Z
ing:ART
The Nature of Revolution on Animal Farm
Mustafa, Goran Omar
ABSTRACT
Revolution as a phenomenon is considered as a way to a complete change of a situation or system of government to a better one. Dose revolution really is the right way to fulfil our dreams and have a better way of life? Or simply it is just changing the face of rulers or the name of the governments. Many writers and novelists wrote about this issue. George Orwell which is considered as apolitical writer, is one of them. He wrote many novels. Animal Farm, as one of them, is an allegorical story of some animals in a farm. They begin a revolution against the humans with the dream of getting rid of Man as the root cause of their problems, and to be rich and free. They have a short period of honeymoon revolution, but then their dream of building a utopian farm crashes by the pigs and would find themselves in dystopia. This paper aims to study the nature of revolution generally in the shed light of human history. Then to explore how this phenomenon is treated by Orwell in his novel. Can we consider revolution as a right way to have a complete change in the political system and thinking of people? The researchers try to illuminate and find answer for those questions by providing examples from the story of Animal Farm.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19253
10.9744/kata.21.1.17-23
k@ta; Vol 21 No 1 (2019): JUNE 2019; 17-23
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19253/18652
Copyright (c) 2019 Goran Omar Mustafa
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19255
2019-04-04T03:40:33Z
ing:ART
oai:kata.petra.ac.id:article/19256
2019-04-04T03:40:37Z
ing:ART
oai:kata.petra.ac.id:article/19261
2019-04-04T03:40:41Z
ing:ART
oai:kata.petra.ac.id:article/19262
2019-04-04T03:40:45Z
ing:ART
oai:kata.petra.ac.id:article/19263
2019-04-04T03:40:49Z
ing:ART
oai:kata.petra.ac.id:article/19264
2021-07-13T10:07:46Z
ing:ART
Susan Glaspell’s “Trifles” in the Light of Ecofeminism
Bazregarzadeh, Elmira
Throughout historical decades the unfair system of life in patriarchal societies and the oppression of women by men have always been key concepts in the literature of the world that have given rise to hot topics of discussion among different nations, questioning the real motive behind such trends. Hence, by examining Susan Glaspell’s “Trifles” through the lens of Ecofeminism the present paper aims to show how it can be considered as an ecofeminist work of literature doing away with the notions that pertain to the oppression of women and Nature by men.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19264
10.9744/kata.21.1.10-16
k@ta; Vol 21 No 1 (2019): JUNE 2019; 10-16
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19264/18650
Copyright (c) 2019 Elmira Bazregarzadeh
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19268
2021-07-13T10:07:49Z
ing:ART
The Politics of Religion in Sisworo Gautama Putra’s and Joko Anwar’s Pengabdi Setan
Sutandio, Anton
This research compares two films, the original Pengabdi Setan and its remake, in the context of politics of religion to show how the two films depict the issue of religion at two different eras based on the released years of the two films. The display of religion in the two films is viewed as an allegorical representation as well as critical responses to the socio-political situation of the two eras. Separated by almost four decades, Joko Anwar’s nostalgic remake and the original film subtly converse with each other, share distinctive similarities yet also polarized differences that underlie their endeavor to allegorically bring back and relive public memory of certain national trauma; that is repression during the New Order regime and marginalization of the minority in contemporary Indonesia. By focusing on the films’ cinematography and mise-en-scene, this research attempts to locate those allegorical moments within the depiction of religious practice that challenge, criticize or accentuate the dominant ideology of their respective eras.
Keywords: allegorical moment, religion, national trauma, politicization
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19268
10.9744/kata.21.1.24-32
k@ta; Vol 21 No 1 (2019): JUNE 2019; 24-32
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19268/18653
Copyright (c) 2019 Anton Sutandio
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19275
2021-07-13T10:07:48Z
ing:ART
Chinese as a Cultural Capital: The Case Study of Chinese Heritage Language Learners
Kurniawan, Budi
Suprajitno, Setefanus
Chinese language education in Indonesia is closely related to the social, political, and cultural dimensions of the country. The change of power in the country in 1998 affected the development of Chinese language. Since the ban imposed on Chinese language and culture since 1965 was lifted, there have been an increasing number of Chinese language schools. Under the theoretical frameworks of Gardner’s motivational orientations and Bourdieu’s cultural capital, this study explored varied motivations of Chinese Indonesians to learn Chinese, and how their perception of China influenced their efforts in learning the language. Data were obtained through focus group discussions and interviews. The findings showed that integrative and instrumental orientations were found among participants, but due to the learners’ social milieu, instrumentality of Chinese dominated their orientations. The instrumentality of Chinese and the positive perception of China worked together to make Chinese language as a cultural capital for these CHL learners.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19275
10.9744/kata.21.1.1-9
k@ta; Vol 21 No 1 (2019): JUNE 2019; 1-9
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19275/18651
Copyright (c) 2019 Budi Kurniawan, Setefanus Suprajitno
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19279
2020-10-26T14:06:23Z
ing:ART
Tyranny of Conventions: A Comparative Study of Blake's Visions and Hardy's Tess
Datli Beigi, Roohollah
William Blake's Visions of the Daughters of Albion (1793) and Thomas Hardy's Tess of the d'Urbervilles (1891) have much in common. Both deal with female sexuality and question the society's sexual and religious mores by portraying a revolutionary woman who fights to gain her autonomy and self-assertion. However, as subjects/products of the dominant ideologies and conventions of their time, Blake and Hardy seem to empower the very conventions they try to reject in portraying heroines tyrannically destroyed by the long-held conventions that condemn an unmarried woman's sexual experience. These heroines' self-assertion/rebellion fails tragically. In this paper we argue that, comparatively, the ambivalent treatment of the notion of independent woman is the most significant common feature in Blake's poem and Hardy's novel. On the one hand, both Blake and Hardy introduce a woman with a new sexual identity and, on the other hand, they deprive their heroines of voice and independence.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-01-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19279
10.9744/kata.21.2.60-67
k@ta; Vol 21 No 2 (2019): DECEMBER 2019; 60-67
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19279/18658
Copyright (c) 2020 Roohollah Datli Beigi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19284
2020-10-26T14:06:23Z
ing:ART
Representation of Indonesia’s Judiciary of Ahok’s Blasphemy Verdict in The New York Times Article
Nurhaliza, Hasna
Tanto, Trisnowati
This paper comprises the analysis of the representation of Indonesia’s judiciary through Ahok’s blasphemy verdict in The New York Times article entitled “‘Rot at the Core’: Blasphemy Verdict in Indonesia Dismays Legal Experts”. The research belongs to Critical Discourse Analysis (CDA), which van Dijk (2015) describes as a study of how social-power abuse and inequality are conveyed, reproduced, legitimated, and resisted by text and talk in the social and political context (p. 466). The analysis will focus on the micro-level analysis which covers three aspects of analysis, namely macrostructures, microstructures, and superstructures. This paper uses a qualitative descriptive method, which requires the analyst to observe and describe the data in order to show the representation. Throughout the analysis, it is shown that Indonesia’s judiciary is represented negatively in the news article.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-01-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19284
10.9744/kata.21.2.68-74
k@ta; Vol 21 No 2 (2019): DECEMBER 2019; 68-74
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19284/18659
Copyright (c) 2020 Hasna Nurhaliza, Trisnowati Tanto
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19289
2021-07-13T10:07:47Z
ing:ART
Tiger mother and her cubs on a stage:
Irawan, Stefanny
Ever since the publication of Amy Chua’s memoir, Battle Hymn of The Tiger Mother, in 2011, Asian or Asian-heritage parenting has received more time under the limelight both in and out of the United States. More attention is given to the effects of that particular parenting style on the children’s academic achievement and wellbeing. Listen to Me (LTM), a play by Bernadeth Febyola Linando (2018) published as one of Petra Little Theatre’s New Play Development Series, indicates that the issue also hits a nerve among young contemporary Indonesian playwrights. This paper is interested in finding out how LTM portrays Tiger Mother parenting style and its impact on the children. Upon analyzing the play using the conceptual framework of parenting styles and their impacts, this paper argues that LTM displays a typical Tiger Mother parenting similar to Chua’s with a slight difference, and it shows mainly negative results of such parenting on the main character, and, on the side, some positive results on two other supporting characters.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2019-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19289
10.9744/kata.21.1.33-41
k@ta; Vol 21 No 1 (2019): JUNE 2019; 33-41
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19289/18654
Copyright (c) 2019 Stefanny Irawan
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19290
2020-10-26T14:06:23Z
ing:ART
The Comparable Nuance of Complicity and Resistance in the Development of Postcolonial Theories
Williany, Vania
This article will explain the issues of complicity and resistance following the significant theories on postcolonial studies. The discussion involves the postcolonial theories developed by Aime Cesaire, Edward Said, Gayatri Spivak, and Homi Bhabha. Overall, there is a comparable nuance on complicity and resistance in postcolonial theories. Complicity on power domination is seen as manipulative by Cesaire and Said. However, Spivak and Bhabha perceive that being compliant to power domination is unavoidable as knowledge has been tainted by the interest of the power controller. In scrutinizing resistance, Cesaire and Said expose the clear violence of colonialism and attack colonial discourse by uncovering the unjustifiable representations. Meanwhile, Spivak and Bhabha argue that the resistance is subtly done without neglecting the tainted knowledge and cultural difference, thus, more negotiable cultural resistances are offered. To consolidate the discussion, a reading of Achebe’s short story entitled “Chike’s School Days” is included in this article.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-01-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19290
10.9744/kata.21.2.84-92
k@ta; Vol 21 No 2 (2019): DECEMBER 2019; 84-92
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19290/18661
Copyright (c) 2020 Vania Williany
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19294
2020-10-26T14:06:23Z
ing:ART
God Humanization in Oka Rusmini's "Putu Menolong Tuhan"
Dwijatmoko, Benedictus Bherman
Oka Rusmini's short-story "Putu Menolong Tuhan" is an ironical story of a child who feels the need to kill her grandmother to help God. A Critical Discourse Analysis of the story reveals the ideology of the humanization of God. In response to the mean treatment of her grandmother to her mother, Putu murders her grandmother. She murders her grandmother because God loves a good person and hates a bad person and her grandmother is a bad person. The murder can be understood as an act of humanizing God. The understanding of God humanization gains its significance as the attack to government officials and the bombings of public places in several cities in Indonesia used religion as the reason. The murder of the grandmother and the violence have the same pattern: the presence of a problematic religious doctrine, a deviant character, and irrational moral self-superiority.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-01-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19294
10.9744/kata.21.2.75-83
k@ta; Vol 21 No 2 (2019): DECEMBER 2019; 75-83
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19294/18660
Copyright (c) 2020 Benedictus Bherman Dwijatmoko
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19318
2020-10-26T14:06:23Z
ing:ART
Communicating Identity in LinkedIn From Indonesian Cultural Perspective
Hendrik Wibowo, Nicholas Jonathan
This paper examines how Indonesians communicate identities in LinkedIn as means of personal branding from Indonesian culture. The study was conducted using descriptive qualitative approach with textual analysis focusing on LinkedIn profiles. The analysis involved some notions: positive ethos in LinkedIn, and Indonesian culture social order to unveil the motivations in making profiles in such ways. From the findings, the participants sought to be regarded as professionals in work, and sought positive values as hierarchy remains crucial in Indonesia. The participants wanted high positions in that hierarchy to stand out and given a priority in job-seeking context. Hence, they made their profiles using English language, made a detailed description, and provide self-portraits wearing suits. They also mentioned the name of their alma mater and positions in present work. People planning to take part in the job market best serve their interests by becoming familiar with LinkedIn.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-01-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19318
10.9744/kata.21.2.51-59
k@ta; Vol 21 No 2 (2019): DECEMBER 2019; 51-59
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19318/18662
Copyright (c) 2020 Nicholas Jonathan Hendrik Wibowo
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19322
2021-12-20T03:15:03Z
ing:ART
Investigating Representation Ethos Émotif in 2007 French Presidential Election
Firmonasari, Aprillia
Syabana, Rosidin Ali
The issue of immigration became prominent in French political discourse in 2005 that leads to debate about France and nationalism. During the lead-up to the 2007 French Presidential election, various concepts of a French national identity were promoted by candidates: Nicolas Sarkozy, Ségolene Royal, François Bayrou, and Jean-Marie Le Pen. Candidates gave particular attention to ethos, specifically ethos émotif. In this article, the researcher will characterize the ethos émotif presented by the four candidates mentioned above. The ethos will be then examined whether it were successfully embodied in these candidates' speeches by investigating the public reaction they received based on articles published in the French media. This research will apply a critical discourse analysis and interactional sociolinguistics approach using elements of interaction formulated by Stébe (2008) and Kerbrat-Orecchioni (1990). Data will be classified using the software LEXICO 3.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19322
10.9744/kata.22.1.17-27
k@ta; Vol 22 No 1 (2020): JUNE 2020; 17-27
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19322/18665
Copyright (c) 2020 Aprillia Firmonasari, Rosidin Ali Syabana
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19332
2021-12-20T03:15:03Z
ing:ART
Vintage Ladies in Cubist Exhibitions: Pablo Picasso's Cubist Women and Judith Butler's Performativity
Saeid, Samaneh
Atashi, Laleh
As a prominent figure in the history of painting, Pablo Picasso has bestowed upon the world his uniquely striking paintings in different styles, the most revolutionary of which being his Cubist art. The representation of women occupies a significant space in Picasso’s Cubist works. While the painter’s style is highly revolutionary, rejecting the accepted principles of painting, the subject matter does not change as such: nude women are objectified with a cubist look. Judith Butler’s theory of gender performativity which examines the roots of naturalized concepts of gender, has been applied to Picasso’s representations of women in his cubist paintings. This research examines the way naturalized definitions of gender have found their way into Picasso’s paintings. By applying the Butlerian concept of gender performativity to a number of Picasso’s cubist artworks, we try to indicate how stereotypes of gender linger in the discourse of modernism. Analyses lead to the conclusion that although the cubist style of painting is an experimentation in form, hardly any avant-gardism can be traced in the representation of gendered identities in Picasso.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19332
10.9744/kata.22.1.28-35
k@ta; Vol 22 No 1 (2020): JUNE 2020; 28-35
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19332/18666
Copyright (c) 2020 samaneh saeid, Laleh Atashi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19333
2021-12-20T03:15:03Z
ing:ART
Analysis of Slang Words Formation Found in the Lyrics of Drake’s Songs
Budasi, I Gede
Bhuwana, I Putu Abdi
This research attempted to find out the word formation processes of slang words found in the lyrics of Drake’s songs. This research applied descriptive qualitative research design. The theory of the 18 word formation processes based on the synthesized theories from Yule (2010), Mattielo (2008), O’Grady, Aronoff, & Dobrovolsky (1997) were used as guidelines. This study found out that there were 190 slang words existing in the lyrics of the songs. They were respectively categorized into clipping (27%), coinage (25%), multiple process (22%), compounding (18%), reduplicatives (2%), variation (2%), borrowing (1%), blending (1%), acronym and initialism (1%), reversed forms (0.5%), and onomatopoeia (0.5%).
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19333
10.9744/kata.22.1.10-16
k@ta; Vol 22 No 1 (2020): JUNE 2020; 10-16
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19333/18664
Copyright (c) 2020 I Gede Budasi, I Putu Abdi Bhuwana
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19335
2021-12-20T03:13:50Z
ing:ART
Racism in Roald Dahl’s The BFG: A Social Criticism or White Supremacy Tendency?
Tanusy, Jeanyfer
Children stories can be a powerful tool for a writer to present their views of the world around them, both positive or negative ones. This article attempts to examine the message beneath a children novel, The BFG by Roald Dahl by employing Barthes’ five systems of codes. Focusing on the writerly codes, this descriptive qualitative research emphasizes on analyzing the smallest units of the stories, or the lexias. Each lexia is categorized into the three writerly codes to reveal the underlying message in the story. The findings show that despite The BFG being a children book, it consists of some serious social issues like racism. Another thing found in the research is that the issue can lead to a double meaning—whether Dahl intends to raise social awareness or that he wants to subtly say that he himself thinks of other races as inferior.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19335
10.9744/kata.22.2.63-69
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 63-69
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19335/18671
Copyright (c) 2020 Jeanyfer Tanusy
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19340
2021-12-20T03:13:49Z
ing:ART
The Dynamics of Hope in Unkrich and Molina’s Coco
Chien, Chia-Chi
Wang, Ya-huei
This study analyzes how the characters in Lee Unkrich and Adrian Molina’s animated film Coco, mainly Mamá Imelda, Héctor, and Miguel, manage their emotional responses when they are facing loss, bereavement, or other significant changes in their lives. The study uses Elisabeth Kübler-Ross’s five-stage model of grief to analyze how these characters go through the grieving process. Moreover, in order to suggest how those who are grieving can enter into positive states of mind, the study expands on Kübler-Ross’s original model by incorporating a positive mindset of hope. In dialogue with Unkrich and Molina’s film, the study uses Kübler-Ross’s ideas to explore coping mechanisms that can help manage difficult times in life, while also suggesting the benefits of maintaining a positive mindset through hope.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19340
10.9744/kata.22.2.79-83
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 79-83
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19340/18673
Copyright (c) 2020 Chia-Chi Chien, Ya-huei Wang
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19342
2021-12-20T03:13:49Z
ing:ART
Identity Crisis in Reza Ghasemi’s The Nocturnal Harmony of Wood Orchestra
Mansouri, Niloofar
Sasani, Samira
ABSTRACTMigration, this multifaceted phenomenon, has always been a concept of importance in different domains such as art and literature. What impacts migration has on human psychology can be well elaborated on using the tool of characterization in stories. Among these impacts, the one regarding identity is probably of highest importance. Therefore, the literature of diaspora can be a field for exploring the process of identity refashioning. What the present study aims to elaborate on is Reza Ghasemi’s The Nocturnal Harmony of Wood Orchestra and the way identity crisis is manifested in and handled by the characters in this book. The analysis is grounded on Homi Bhabha’s concept of Third-Space but to specifically analyze the challenges that immigrant characters face in this liminal location, Yuri Lotman’s cultural idea of semiosphere is also incorporated. Keywords: Identity Crisis, Literature of Diaspora, Reza Ghasemi, Third-Space, Yuri Lotman
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19342
10.9744/kata.22.2.93-100
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 93-100
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19342/18675
Copyright (c) 2020 Niloofar Mansouri, Samira Sasani
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19349
2021-12-20T03:13:49Z
ing:ART
The Struggles of the Kretek Workers in Iksaka Banu’s Novel, Sang Raja (The King)
Widyastuti, Thera
Novel is able to present the development of one character, complex social situations, relationships involving many or few characters, and complicated events that occurred several years ago in detail. Novel The King was written by Iksana Banu, an famous Indonesian author and artist. He published the novel in 2017. The King tell the story about people who work in Kretek Cigarette factory. They have to struggle how to defend the cigarette factory from competition with other factories, and worldwide economic depression. The main character, Philip Gerardus Rechterhand, a Dutch man who borned in Indonesia. Intrinsic (character and setting), and extrinsic (sociology of literature, personality theory, and history) approaches are using to analyze this research. Kretek become part of society life, and many people have economic dependence on the kretek factory.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19349
10.9744/kata.22.2.84-92
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 84-92
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19349/18674
Copyright (c) 2020 Thera Widyastuti
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19358
2021-12-20T03:15:02Z
ing:ART
Language Ideologies of Young Chinese Surabayanese’ Motivation in Learning Mandarin in Post Suharto Era
Hananya, Gabriela Angeline
This is the study of language ideologies of young Chinese Surabayanese’ motivation in learning Mandarin and the influence of their beliefs in Mandarin towards their sense of Chinese-ness. The approach of this study is qualitative, through semi-structured interviews and participant observation. There are four young Chinese Surabayanese participated in this study. It is found that they perceived learning Mandarin is an advantage. This advantage is then explained through their beliefs about Mandarin in four supportive points: globalising life opportunities in working and communication, mastering Mandarin caused by the rise of China, investing in their linguistic capital, and parents’ influence. Though there are two participants who feel more Chinese after learning Mandarin, but it is never their intention to be more Chinese when they start learning Mandarin. In the end, their ideology of learning Mandarin mainly focuses with the benefit and advantage instead of with their sense of Chinese-ness.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19358
10.9744/kata.22.1.46-54
k@ta; Vol 22 No 1 (2020): JUNE 2020; 46-54
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19358/18669
Copyright (c) 2020 Gabriela Angeline Hananya
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19361
2021-12-20T03:15:03Z
ing:ART
World Literature: A Panacea for the Colonial Prejudice of English Literature
Nemati, Amirhossein
Hassanpour Darbandi, Ali
The present study is an attempt to discuss the importance of “World Literature” for English literary studies in universities and societies around the world. In this regard, this paper shall refer to the stances adopted by various thinkers against the colonial and ideological essence of the English literature in developing countries. In this part, references are made to postcolonial thinkers and the way they have exposed the barbaric nature of colonialism, in that it has, for decades, marginalized the culture and literature of other nations through cultural (neo)colonialism. The next part offers a brief introduction to the history of the emergence of “World Literature” and the ways in which it contributes to bridging the gap between nations across continents and ideological divides. The final section is devoted to a recapitulatory remark vis-à-vis the reorientation of the public’s eyes towards “World Literature” as a panacea for the colonial prejudice of English literature.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19361
10.9744/kata.22.1.1-9
k@ta; Vol 22 No 1 (2020): JUNE 2020; 1-9
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19361/18663
Copyright (c) 2020 Amirhossein Nemati, Ali Hassanpour Darbandi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19362
2021-12-20T03:15:03Z
ing:ART
She’s Really Kind and Hella Weird! ─ The Use of Intensifiers among Teens: A Sociolinguistic Analysis
Putri, Calista
Salikin, Hairus
Khazanah, Dewianti
This study aims to reveal language variation of the use of intensifiers that occurs between male and female teens. This study will also examine the effects of gender through the use of adjectives intensification. Seeing that society have stereotype towards male and female, it is being one of problems that cause the differences in their language. To answer this problem, qualitative and quantitative approaches are undertaken. All participants are asked to share stories through free writing section. A later interview process is accomplished to clarify their further reasons of their intensifiers. The results show that there are significant differences of intensifiers used by males and females such as intensifiers amount, adjective types, degree, positive-negative evaluation, emotional value, intensifiers choices, and the use of double and taboo intensifiers. These differences are caused by several reasons with gender related. It has connection with power, politeness, expressions, emotion, society compulsion, and others.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-07-12
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19362
10.9744/kata.22.1.36-45
k@ta; Vol 22 No 1 (2020): JUNE 2020; 36-45
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19362/18668
Copyright (c) 2020 Calista Putri, Hairus Salikin, Dewianti Khazanah
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19363
2021-12-20T03:13:50Z
ing:ART
Modern Rape-Revenge Movies and Shelley’s The Cenci
Jamshidian, Sahar
Amjad, Fazel Asadi
Viewing Shelley’s The Cenci from the political upheavals of the nineteenth century would limit one’s response to the play to the issues of that century. However, this play continues to be played in the twenty first century, which makes one wonder how a modern spectator with a feminist inclination might react to the theme of rape and revenge. The Cenci shares with a number of movies flourishing with the rise of the second wave feminism during the 1970s, the theme of a female victim transformed into a hero-avenger, who takes law into her own hands and avenges herself in the face of a dysfunctional legal state. As revisions of the archetypal narratives of violation-revenge-violation, these modern movies have been praised for depicting heroines who are no longer powerless, miserable and victimized, but strong enough to avenge themselves with impunity. Though The Cenci repeats the traditional pattern of violation-revenge-violation, it focuses on the corruption and irresponsibility of the patriarchal legal system as well as its reformation, which have been neglected by both mythical narratives and modern rape-revenge movies. By reading The Cenci along with William Blake’s “Visions of the Daughters of Albion” and Shelley’s “Prometheus Unbound,” we examine how The Cenci challenges the modern rape-revenge movies and how Beatrice could have used her agency and her anger in a more effective way to fight against tyranny.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19363
10.9744/kata.22.2.70-78
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 70-78
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19363/18672
Copyright (c) 2020 Sahar Jamshidian
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19403
2021-12-20T03:13:50Z
ing:ART
Hedges and Boosters as Modality Markers: An Analysis of Nigerian and American Editorials
Ojo, Oluwasola Emmanuel
Many studies have been carried out on the use of hedges and boosters as persuasive strategies, but little is known about their employment when texts such as editorials are compared cross culturally. This study comparatively examined the employment of modality markers to express doubt and conviction in Nigerian and American editorials. Farrokhi and Emami’s (2008) classification of hedges and boosters was employed to analyze twenty editorials selected from two Nigerian newspapers and two American newspapers. Findings reveal that both sets of editorial writers made use of hedges and boosters a lot in their writings. However, lexical verbs were not employed as boosters in the analyzed editorials. The fact that the Nigerian editorial writers as ESL writers equally made great use of hedges and boosters implies that in texts such as editorials, writers from different cultures equally employ the same linguistic devices to express doubt and conviction.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2020-12-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19403
10.9744/kata.22.2.55-62
k@ta; Vol 22 No 2 (2020): DECEMBER 2020; 55-62
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19403/18676
Copyright (c) 2020 Oluwasola Emmanuel Ojo
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19414
2021-12-20T03:12:31Z
ing:ART
In search of self: Navigating subjectivity amidst conflicts in Rainbow Rowell’s Eleanor & Park (2012)
Fitriani, Azalea Ayu Dewinta
Gandana, Isti Siti Saleha
Nafisah, Nia
Entrance into adulthood has often been seen as a phase marked by self-exploration, instability, and struggles to overcome tensions and conflicts. Eleanor & Park (2012) is a novel that explores issues of growing up and tells the story of how the two main characters go through the struggles of their adolescent lives. This study analyzes how Eleanor and Park construct and navigate their subjectivities amidst the various conflicts they face. It does so by, first, identifying and classifying the conflicts the characters encounter and then locating their provisional subject positions that draw on how they react to and deal with the conflicts. While the study confirms the dynamic nature of subject positions, both Eleanor and Park tend to bring to the fore their active subject position in dealing with the conflicts. Moreover, their subject positions further indicate that Eleanor and Park are empowered agents who are capable of deliberating thoughts and actions consciously. In navigating their subjectivities, both characters, in the end, are able to achieve personal growth and empowerment.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/vnd.openxmlformats-officedocument.wordprocessingml.document
http://kata.petra.ac.id/index.php/ing/article/view/19414
10.9744/kata.23.1.21-27
k@ta; Vol 23 No 1 (2021): JUNE 2021; 21-27
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19414/18679
Copyright (c) 2021 Azalea Ayu Dewinta Fitriani, Isti Siti Saleha Gandana, Nia Nafisah
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19428
2021-12-20T03:12:31Z
ing:ART
Reimagining Peter Pan: The Postmodern Childhood Portrayal in Wendy (2020)
Hapsarani, Dhita
Lutfiputri, Nadia Farah
As a social construct, the view towards childhood remains to change over time. Literary works, such as films or novels from different periods of time which feature children's characters as the protagonists can be the right medium to identify those shifts. This article analyzes Wendy (2020) film as the latest adaptation of J.M. Barrie’s classic children's novel Peter Pan (1911). This film has made some transformations from the original novel to make the story more relevant in today’s context, including how it showcases childhood that is experienced by the children’s characters. Using textual and comparative analysis, this study attempts to see the transformations in the film adaptation and how it shows a different childhood construction from the one appearing in the source novel. Referring to the concept of postmodern childhood, Linda Hutcheon’s adaptation theory, and Bordwell and Thompson’s elements of film analysis, this study reveals how Wendy (2020) has exemplified the concept of postmodern childhood through the portrayal of children’s roles, children’s agency, and children-adults relationship.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19428
10.9744/kata.23.1.1-9
k@ta; Vol 23 No 1 (2021): JUNE 2021; 1-9
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19428/18677
Copyright (c) 2021 Dr. Dhita Hapsarani
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19431
2022-07-05T02:23:48Z
ing:ART
Speak Louder Than the Ballot: A Cognitive Study to Election Abstention Metaphors
Adam, Muhammad
There have been few studies that highlight the use of metaphor in political discourse and election, but none of those studies focus on the election abstention –known in Indonesia as Golput phenomena- and the discussion of the intertwined components in metaphor. This research aims to investigate various metaphor components in the metaphorical description used to describe the abstention during the Indonesian election 2019 within the Conceptual Metaphor Theory (Lakoff and Johnson, 1980). Kovecses (2003) highlighted components of metaphor are also used to examine the essential components of conceptual metaphor in the use. The sources of data were from five foreign media reports that discuss the Indonesian issue of election abstention. The result shows there few essential components that can be revealed behind a metaphor such as the importance of mental image, cultural context, and highlighted elements in metaphor that contribute to the metaphorical function and interpretation
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-12-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19431
10.9744/kata.23.2.69-76
k@ta; Vol 23 No 2 (2021): DECEMBER 2021; 69-76
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19431/18684
Copyright (c) 2021 Muhammad Adam
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19432
2022-07-05T02:23:48Z
ing:ART
The Portrayal of Occultism in “The Call of Cthulhu” (1928) by H.P. Lovecraft
Sebayang, Evan Arnoldi
Kristianto, Bayu
H.P. Lovecraft crafted an intricate mythos which initially did not find success until after his death, and his works, most notably “The Call of Cthulhu” (1928), were regarded to be a landmark towards the relevancy of occultism both in the field of literature and religious belief. The short story was regarded to be the staple of “cosmic horror” which Lovecraft applied to almost all of his stories. The paper analyze how “The Call of Cthulhu” influenced the belief of modern occultism, which can be inferred from the literary elements in the story. Further analysis will also identify how Lovecraft portrayed the subgenre “cosmic horror” to enhance the elements of occultism within the short story. In relation to the previous elements, the paper examine how a particular cult, Typhonian Order, was influenced by the elements of occultism used in the story.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-12-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19432
10.9744/kata.23.2.47-57
k@ta; Vol 23 No 2 (2021): DECEMBER 2021; 47-57
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19432/18682
Copyright (c) 2021 Evan Arnoldi Sebayang, Bayu Kristianto
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19433
2021-12-20T03:12:31Z
ing:ART
A Clash of Two Generations: A Comparative Deconstructive Discourse Analysis of Three News Reports on Megawati’s Critique for Indonesian Millennials
Khadafi, Bima Iqbal
Written in the spirit of critical tradition, this paper aims to demystify the hegemony induced in the media coverages about the critique of Indonesian former president, Megawati Soekarnoputri, towards its millennials for ‘lacking contribution to the country’. By applying genre, deconstruction and dynamic perspective of ideological tension analyses, this article reveals how three different medias report the phenomenon differently by bringing up different topics to be discussed for their own purposes. While scrutinizing the relationship between the phenomenon and its news reports, this paper sees a need for a transvaluation to the concept of nationalism which in the end negates itself since the conception of nationalism itself has to do with power struggle that has the potential to degenerate the Self and harm the Other.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19433
10.9744/kata.23.1.38-46
k@ta; Vol 23 No 1 (2021): JUNE 2021; 38-46
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19433/18681
Copyright (c) 2021 Bima Iqbal Khadafi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19440
2021-12-20T03:12:31Z
ing:ART
Representations of Girlhood and Girl Stereotypes in Victoria Aveyards’ The Red Queen Collection
Soltani, Masoumeh
Atashi, Laleh
Given the fact that girlhood studies is a new area of investigation which intriguingly demonstrates various ways through which girlhood is structured by different social and cultural codes, we intend to examine girl characters in The Red Queen collection as it was the New York Times Best Selling series. This investigation reveals the way cultural and social norms prescribe specific gender roles and shape different versions of girl characters in this series. To find girl stereotypes in The Red Queen collection, such girlhood theories as Girl Power, Reviving Ophelia, #LIKEAGIRL, Girl Effect and Girl Up have been taken into consideration. Various depictions of girlhood in The Red Queen collection are represented through characters who have different ethnic backgrounds and come from different social classes. This implies that the formation of girl identity has a lot to do with social, economic, political and cultural structures. However, identity formation, as we see in the collection, is an ongoing process and can change in the course of an individual’s self-development.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19440
10.9744/kata.23.1.10-20
k@ta; Vol 23 No 1 (2021): JUNE 2021; 10-20
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19440/18678
Copyright (c) 2021 Masoumeh Soltani, Laleh Atashi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19442
2021-12-20T03:12:31Z
ing:ART
Unpacking Multilingualism in Tourism Peripheries in Bali: Taking a Look into Private Shop-fronts
Khazanah, Dewianti
Kusumaningputri, Reni
This article reports on the discussion of linguistic landscape in the course of tourism peripheries. The central aim is to unravel the salience and visibility of language practices manifested in the shop-fronts in Bali tourism peripherals. Drawing on Bourdieu’s language as social power (1983; 1993), presentation-of-self (Goffman, 1963; 1981), and good-reasons perspective (Boudon, 1990) we explore the language choices made by the local shop owners and the principles driving these choices. The findings conclude that English is the dominant language Bali tourism peripheries, and it is driven by the perceived power attributed to English and the economy benefits associated to English; the principle of presentation-of-self is not prioritized. We argue that local shop owners’ perception of targeted clients is the determining factor influencing it. Mandarin language need to be present more to cater the Chinese tourists for they constitute a big portion to the body of international tourists in Bali.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-06-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19442
10.9744/kata.23.1.28-37
k@ta; Vol 23 No 1 (2021): JUNE 2021; 28-37
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19442/18680
Copyright (c) 2021 Dewianti Khazanah, Reni Kusumaningputri
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19454
2022-07-05T02:23:48Z
ing:ART
Reading Through Emotions: An Affective Narratolological Approach to Alice Munro's Short Stories
Sadeghi, Sahar
Pirnajmuddin, Hossein
Ladani, Zahra Jannessari
The emergence of fields of study like emotionology, affective narratology, and psychonarratology in recent decades evidences a dramatic rise in research done on the meaning and interpretation of emotions. Affective Narratology as one of the recent fields in emotion studies attempts to identify and account for the figuration of emotions in works of literature. Focusing on three basic emotions (shame, jealousy and love) figuring in Alice Munro’s selected short stories this paper probes the significance of emotional registers in the writer's depiction of daily life. Examined is the way the stories' sincere tone and their comprehensible, ordinary language, contribute to the emotional identification of readers with characters. Applying affective narratological theories, the objective is to show how emotions contribute to plot development and characterization in these stories. Central to the analysis is interpreting emotional moments experienced by characters, especially female characters
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-12-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19454
10.9744/kata.23.2.86-94
k@ta; Vol 23 No 2 (2021): DECEMBER 2021; 86-94
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19454/18686
Copyright (c) 2021 Sahar Sadeghi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19456
2022-07-05T02:23:48Z
ing:ART
The Politeness Strategies Found in @kulinersby’s Instagram Account in Promoting Culinary Businesses
Gunawan, Joshua Delbert
Tjitrakusuma, Nani Indrajani
This study aims to find out the types of politeness2 that are found in @kulinersby’s promotion culinary business promotion, and from there, the comments that are included as politeness1. The analysis is based on the theories of Brown and Levinson (1987) and Watts (2003). Watts (2003) states that what is theoretically considered as politeness (politeness2) in Brown and Levinson (1987) may not be the case in reality (politeness1). This qualitative study is limited to video-based posts, with the comments only related to how the account’s administrator promotes culinary businesses. From this research, the writers find that even though both politeness2 and politeness1 conflict with each other, there are some similarities that are found in analyzing both politeness. In conclusion, despite the lasting influence of Brown and Levinson’s (1987) theory, it still has some notable flaws, notably with universality and multiple interpretation of the strategies by different individuals, among others.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-12-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19456
10.9744/kata.23.2.58-68
k@ta; Vol 23 No 2 (2021): DECEMBER 2021; 58-68
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19456/18683
Copyright (c) 2021 Joshua Delbert Gunawan, Nani Indrajani Tjitrakusuma
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19462
2022-08-02T09:23:36Z
ing:ART
Ma’i Lepera : Representation of Leprosy in selected Hawai’ian-American Literature
Indriyanto, Kristiawan
This study contextualizes how disease in form of leprosy is represented in literary works by focusing of three novels written by Hawai’ian-American writers. The legacy of leprosy outbreak in Hawai’ian archipelago in the 1800’s challenges the popular imagination of Hawai’i as idealized timeless tropical paradise. This study explores how the policy of isolation exiles leprosy patients in isolated island, Moloka’i, segregated from other citizens. Hawai’ians cultural contexts concerning balance (pono), and identity based on familial ties and sense of place is employed to explore how leprosy disrupts Hawai’ian conception of identity. This study also explores the concept of ecological other as theorized by Serpil Oppermann to contextualize the stigma and harassment associated with leprosy of being unclean and contagious. The object of this study are three Hawai’ian-American novels, Hawai’i (1959), Shark Dialogues (1995) and Moloka’i (2004). This study concludes that the representation of leprosy in selected Hawai’ian-American literature contextualizes the social stigma associated toward its sufferers and disrupts the question of identity through erasure of familial history and genealogy. It further posits the possibility of reclaiming genealogy, history and ancestry lost due to leprosy and how the reclamation results in creating hybrid Hawai’ian identity.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19462
10.9744/kata.24.1.1-10
k@ta; Vol 24 No 1 (2022): JUNE 2022; 1-10
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19462/18691
Copyright (c) 2022 Kristiawan Indriyanto
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19467
2022-07-05T02:23:48Z
ing:ART
Understanding Domestic Violence in Indonesia Through a Play-with-music: A Story of Wounds
Meilinda, Meilinda
The number of domestic violence is 50% out of violence against woman cases in Indonesia. This condition is intriguing to analyse. There must be a reason behind rising number of crimes related to inequality of women position in the society. One of the ways that can be used to reflect on this subject is through theatre. It is a work of art that can be used to discuss and inspire a necessary social change or social agenda. Therefore, applying textual analysis method on A Story of Wounds, a play by Jessie Monika, I would like to find the reasons behind that inequality to find the core problem of domestic violence as portrayed in ASoW. I utilize Bourdieu’s capital, habitus and field theory to prove that inequality between the wife and the husband, the deeply rooted patriarchy values create imbalance power that open opportunity for domestic violence toward women.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2021-12-20
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info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19467
10.9744/kata.23.2.77-85
k@ta; Vol 23 No 2 (2021): DECEMBER 2021; 77-85
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19467/18685
Copyright (c) 2021 Meilinda Meilinda
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19482
2022-08-02T09:23:36Z
ing:ART
Toxic Masculinities in Post-9/11 Islam-Themed French Novels: Plateforme and Syngué Sabour. Pierre de Patience
Udasmoro, Wening
ABSTRACT
This article aims to explore the concept of toxic masculinities in two French literary works, namely Plateforme by Michel Houellebecq and Syngué Sabour. Pierre de Patience by Atiq Rahimi, whose stories are related to Islam after the September 11, 2001 tragedy. Toxic masculinities are suspected to be present in both works, namely by placing women in the position of objects of sexual gaze and symbolic violence. This article dredges the concept of toxic masculinities, which is a derivation of the concept of hegemonic masculinities introduced by Raewyn Connell. This paper employs a critical discourse analysis method by examining the language used by the authors at levels of linguistic practice, discursive practice, and social practice with corpus data taken from the wordings and rewordings of the texts. This paper concludes that sexual gaze and symbolic violence are toxic because they can be drivers of physical violence.
Keywords: toxic, masculinities, French literature, Islam
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19482
10.9744/kata.24.1.40-48
k@ta; Vol 24 No 1 (2022): JUNE 2022; 40-48
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19482/18695
Copyright (c) 2022 Wening Udasmoro
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19485
2022-08-02T09:23:36Z
ing:ART
Reconciling Aboriginal and White Australians by Negotiating Spatial Boundaries in The Secret River:
Sumaryani, Sri
Anam, Zuhrul
The dichotomic concept of space between white and Aboriginal Australians has been widely used in the colonial discourse. Through The Secret River, Grenville dismantles the binary oppositions that serves as the main strategy for colonization. We argue that space as a medium of negotiation is used as her strategy to involve in the national reconciliation movement. Postmemory is employed to explain the strategy of choosing spatial locations that links with Grenville’s intergenerational memories. The analysis reveals that the boundaries created by the settlers upon the disputed land cannot successfully cover the chaotic and heterogenous nature of the Aboriginal Dharug land. Instead, the previous characteristics of the land keep appearing as a form of resistance. During the attempt, the settlers slowly recognize the similar nature of the Dharug’s living space to theirs. The process represents the ongoing understanding between the two parties which signifies the spirit of the national reconciliation movement.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19485
10.9744/kata.24.1.11-21
k@ta; Vol 24 No 1 (2022): JUNE 2022; 11-21
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19485/18692
Copyright (c) 2022 Sri Sumaryani, Zuhrul Anam
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19487
2023-06-12T04:21:23Z
ing:ART
Pejorative Words Indicating Indonesian Hate Speech
Suryanovika, Citra
Affini, Laily Nur
The study aims to identify the pejorative words in @detiknews’ comments and hate speech targets. This study was qualitative research, specifically descriptive content analysis. The researchers took the data from Indonesian comments in eighteen news of @detiknews’ Instagram account. The researchers used MAXQDA to show the results of the coding process. The study has found seven categories of Thurlow: social personality, uncategorized, top-5, racist, homophobic, phallocentric, and physicality. In this study, pejorative words were in the standard and non-standard Indonesian, local languages (Javanese, Betawi), vulgar slang, and animal metaphors. The study has classified pejorative words (Thurlow, 2001) as directed or generalized hate speech (Elsherief et al., 2018). The findings show that directed speech was a personal matter. To sum up, pejorative words indicating hate speech in Indonesia are not randomly used; it intends to show the users’ disagreement toward the publisher or another user’s comment: it is addressed explicitly to either directed or generalized targets.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-06-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19487
10.9744/kata.25.1.53-64
k@ta; Vol 25 No 1 (2023): JUNE 2023; 53-64
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19487/18742
Copyright (c) 2023 Citra Suryanovika, Laily Nur Affini
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19497
2022-08-02T09:23:36Z
ing:ART
Disnarration in Kazuo Ishiguro’s The Remains of the Day
Khosravi, Sareh
ABSTRACT
This study discusses the disnarrated in Kazuo Ishiguro’s The Remains of the Day by focusing on Gerald Prince’s ideas on the disnarrated. According to Prince, disnarration refers to events that have not happened but have been mentioned in the narrative. There are two modes for representing disnarration in the narrative of the novel: implicit and explicit. In the former, the disnarrated is represented by techniques like symbols, metonymies and foil characters. In the later, it is explicitly stated that a particular event could have happened but have not happened. However, based on Ishiguro’s preoccupation with the suppression of meaning, the majority of disnarrated narratives are implicit rather than explicit. The narrator’s implicit remarks signify his lost opportunities for the things he could have. Nearly at the ending of the novel, however, the narrator offers a more honest attitude to the readers by explicitly talking about his regrets and lost opportunities.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19497
10.9744/kata.24.1.22-28
k@ta; Vol 24 No 1 (2022): JUNE 2022; 22-28
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19497/18693
Copyright (c) 2022 Sareh Khosravi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19498
2022-08-02T09:23:36Z
ing:ART
Deforestation in Indonesian and Malaysian Novels: When Wild Forests are Destroyed by Anthropocentricism
Wiyatmi, Wiyatmi
Liliani, Else
Sari, Esti Swatika
Safei, Mawar
Anthropocentrism is one of the perspectives applied in figuring out human relations with the environment. The environmental crisis happening in most areas of the world lately is allegedly the impact of anthropocentrism, which views humans as the center of the universe, and only humans have the right to utilize and make use of nature for their interests and needs. One of the environmental crises which hit the world today is deforestation. The description of deforestation and its various consequences can be looked through not only from the news in mass media or research reports, but also from Indonesian and Malaysian novels. This study aims at examining the issue of deforestation described in Indonesian and Malaysian novels. The method applied is a comparative qualitative descriptive with an ecocritical perspective. As data sources, two Indonesian novels and two Malaysian novels were selected, namely Api Awan Asap (Rampan) and Tanah Tabu (Thayf) as the samples of Indonesian novels; Penunggu Rimba: Tombiruo (Mursid) and Anak Belantara (Abdullah) as the samples of Malaysian novels. From an eco-critical perspective, the results of the study show that in the four novels studied, it appears that there is an issue of deforestation in Indonesia and Malaysia which has resulted in various other environmental problems. The four analyzed novels reveal how local wisdom can prevent and fight deforestation which occurs in the forests of Kalimantan and Papua. Added to this, through the novels, Indonesian and Malaysian writers both present ecocentrism perspectives to fight anthropocentrism which causes deforestation. Some different views are expressed by Indonesian and Malaysian writers in dealing with deforestation.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-07-05
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19498
10.9744/kata.24.1.29-39
k@ta; Vol 24 No 1 (2022): JUNE 2022; 29-39
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19498/18694
Copyright (c) 2022 Wiyatmi Wiyatmi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19503
2023-01-05T07:27:43Z
ing:ART
Conceptual Metaphor of Different Conventionality Levels from the Perspectives of Translatability Assessment and Translation Strategies
Nguyen, Thong Vi
Hien, Nguyen Thi Thao
This study examines the Conceptual Metaphor Theory from an innovative perspective: translatability and translation strategy. The experiment recruited 239 undergraduate students of different translation training to evaluate the translatability of twelve sentences of different metaphor types before translating them into Vietnamese. Additionally, this study examines how students deal with metaphorical mapping images as well as grammatical and lexical refining attempts. The factorial ANOVA results (p=.02) indicate that the effect of metaphor types on translatability levels is conditional on translation training levels, despite the fact that the main effect is on metaphor types, not translation skill. Besides, twelve in-depth strategies to deal with the source sentences are identified, establishing a new model for metaphorical translation strategy. Chi-square analysis reveals associations between translation training levels and strategies (p<.01); and between metaphor types and strategies (p<.01). This study argues for the possibility that translation could be considered among conceptual metaphor's cognitive mechanisms.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19503
10.9744/kata.24.2.49-60
k@ta; Vol 24 No 2 (2022): DECEMBER 2022; 49-60
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19503/18697
Copyright (c) 2022 Thong Vi Nguyen
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19504
2023-01-05T07:27:43Z
ing:ART
A Polyphonic Study of E.M. Forsters A Passage to India and George Orwell’s Burmese Days
Turki, Harith Ismael
Abdulrazzaq, Dulfqar Mhaibes
The purpose of this study is to examine the multi-voicedness techniques in E.M. Forster’s A Passage to India and George Orwell’s Burmese Days, in terms of the narrator’s role and the plurality of voices and consciousnesses. This paper used the concept of polyphony which was coined by Bakhtin as a methodology in analyzing and examining the aforesaid novels. The results of this study showed that; First, both novels used the omniscient narrator as a narrative technique, since the voice of the author was evident on more than one occasion. Moreover, there was an influence by the omniscient narrator on the reader, which might be considered significant on more than one occasion, in controlling and manipulating his decisions and views in A Passage to India, while the influence was minuscule in Burmese Days. Second, this paper proved that the aforesaid novels are polyphonic ones. Finally, both authors gave a considerable margin of freedom for each character to express their ideologies freely.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19504
10.9744/kata.24.2.61-69
k@ta; Vol 24 No 2 (2022): DECEMBER 2022; 61-69
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19504/18704
Copyright (c) 2022 Dulfqar Mhaibes Abdulrazzaq
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19505
2023-12-18T06:25:26Z
ing:ART
The Language of Police Officers Matters: Factors Hampering Workplace English Writing Capability in the South African Police Services (SAPS)
Kekana, Tebogo Johannes
Montle, Malesela Edward
This article reports on the findings of an exploratory-based study about variables hampering adequate Workplace English writing competency of police officers in the South African Police Services (SAPS). The main assumption in this article is that this poor English writing proficiency that is tailored for the workplace in the as a result of many intertwined and interrelated factors. A quanti-qualitative research approach was adopted. Data was harvested using a questionnaire and in-depth interviews from 203 research participants from various police stations in Gauteng Province of South Africa. Thematic Content Analysis (TCA) was used for analysis of qualitative data. Quantitative data was analysed using SPSS (Statistical Package for Social Sciences). The investigation was underpinned by Work Integrated Learning (WIL), Genre and NA (Needs Analysis) theories. The investigation found that there is a deficiency of expertise as far as pedagogy is concerned among police trainers. Furthermore, the study revealed that the absence of tertiary qualifications contributes to the problem. Language teaching in the SAPS training colleges is found not to be given adequate emphasis. Lastly, the over-domination of physical training over academic teaching was also a challenge. This investigation underscores the crucial aspect of reflective research as a source of information.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-12-18
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19505
10.9744/kata.25.2.92-110
k@ta; Vol 25 No 2 (2023): DECEMBER 2023; 92-110
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19505/18745
Copyright (c) 2023 Tebogo Johannes Kekana, Malesela Edward Montle
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19512
2023-01-05T07:27:43Z
ing:ART
Cultural Representation of Chinese-Indonesians in Ca Bau Kan (The Courtesan) in the Context of Spice Trading and Nationalism
Sutandio, Anton
Arifin, Yohan Yusuf
The object of this research is Nia Dinata’s film, Ca Bau Kan, which was adapted from Remy Sylado’s novel. The research focuses on the representation of Chinese-Indonesians which pertains to the context of the maritime spice trade route and the concept of nationalism. Set in Batavia in three different decades, namely the 1930s, 1940s, and 1960s, the film depicts the journey of a Chinese-Indonesian character from the Dutch colonial era and the Japanese colonial era to the era of the independence revolution. The research method used is a qualitative method through the theory of film studies, which is juxtaposed with the historical approach to see how Chinese-Indonesians are represented in the film. The findings show that the film attempts to represent the Chinese-Indonesians accurately, albeit with the continuous presence of inaccurate stereotypes. The findings show Chinese-Indonesians’ economic contribution that reflects the history of the spice trade maritime route in Indonesia.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19512
10.9744/kata.24.2.70-80
k@ta; Vol 24 No 2 (2022): DECEMBER 2022; 70-80
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19512/18699
Copyright (c) 2022 Anton Sutandio, Yohan Yusuf Arifin
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19517
2023-06-12T06:10:18Z
ing:ART
Influence of (Non) Observance of Maxims on Evasion in Malaysian Parliamentary Question Time
Abidin, Najah Zainal
Jan, Jariah Mohd
This content-analytic study examines the influence of (non) observance of maxims in the production of evasive responses in Malaysian Parliamentary Question Time. The analysis was based on the theories of Cooperative Principle (Grice, 1975) and Clayman’s Framework of Resistance (2001; 2012). Two strategies of (non) observance of maxims were found to produce evasive responses namely, violating and opting out. Ministers and deputy ministers were found to frequently shift tasks required by providing assurances to the questioners and audience. They also acknowledged the issues raised without addressing them. Further, they talked about prior actions taken to address current issues and made a reference to another party to relieve themselves from bearing the responsibility alone which led to the violation of maxims that subsequently produced evasive responses. Evasive responses also occurred when ministers and deputy ministers disregarded the questions altogether, thus opting out of the Cooperative Principle. Despite being evasive, equivocal responses were deemed cooperative as no instances of follow-up questions were recorded.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-06-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19517
10.9744/kata.25.1.1-15
k@ta; Vol 25 No 1 (2023): JUNE 2023; 1-15
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19517/18738
Copyright (c) 2023 JARIAH MOHD JAN
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19521
2023-01-05T07:27:43Z
ing:ART
A Discourse Historical Analysis of Identity Construction in Becoming (2018) by Michelle Obama
Savhira, Melenia
Junaidi, Junaidi
Research on identity through written narrative has been popular in the linguistics field over the decades. In this paper, a famous memoir written by Michelle Robinson Obama, Becoming (2018), is examined to analyze the construction of identities. This memoir is chosen because of the strong personal narrative and inspiring story which recounts the struggle of the African American woman against discrimination in the United States. This paper focuses on Becoming Us, which is examined through the Discourse-Historical Analysis (DHA) by Ruth Wodak. This approach offers several discursive strategies, some of which are referential/nomination and predication that are applied to analyze the linguistic features which provide positive, negative, and neutral representations of the social actor. All of these representations contribute to construct Michelle Obama’s cultural and racial identities. The novelty of this research lies in a more linguistic approach and historical context as the endeavors to examine the identities.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19521
10.9744/kata.24.2.90-99
k@ta; Vol 24 No 2 (2022): DECEMBER 2022; 90-99
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19521/18701
Copyright (c) 2022 Melenia Savhira, Jun Junaidi
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19523
2023-06-12T04:21:23Z
ing:ART
Exploring the Narrative Spaces of Change in Jejak Warna: Cerita tentang Perubahan (2019) Web Series
Chusna, Aidatul
Irawanto, Budi
Arymami, Dian
Jejak Warna: Cerita tentang Perubahan (Color Trail: A Story of Change) web series talks about a man named Arya who is stuck with his monotonous life and memory of his ex-girlfriend. His life changes when he meets Kinar – his new colleague. This study explores how the narrative space conveys the idea of change by analysing the mise-en-scène elements of the web series. The result shows the depiction of spaces which change from spaces that bind the protagonist in his dull routine and memory to a space that liberates and offers him new life and adventure. The change is strengthened by the changing nuances of spaces depicted through composition and lighting, sound (dialogue and music), and the character's expression and movement within the spaces.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-06-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19523
10.9744/kata.25.1.31-41
k@ta; Vol 25 No 1 (2023): JUNE 2023; 31-41
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19523/18740
Copyright (c) 2023 Aidatul Chusna
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19524
2023-01-05T07:27:43Z
ing:ART
Increasing Consumption of Korean Dramas during the COVID-19 Pandemic
Chandra, Yuliyanto
This qualitative study focuses on Indonesian transnational fans’ consumption of Korean dramas (hereafter K-dramas) during the COVID-19 pandemic. This study highlights the fans’ lived experiences, thoughts, and interpretation of Korean culture in watching K-dramas as well as how they construct identities through their consumption and articulation in their everyday lives. This study used qualitative questionnaire as the instrument to collect the data for the study. Using thematic analysis, the study reveals that there were four emerging motivating factors to watch K-Dramas among Indonesian viewers: fresh substitutive choice, easy access, interesting stories and visuals, and cultural factors. Additionally, the study also showed four outcomes of their consumptive behavior: language acquisition and motivation to learn Korean, cultural understanding and new perceptions of Korea, pursuit of education, and pure entertainment and stress-reliever. Hence, this study contributes to the body of literature on K-Dramas consumption, especially in the era of COVID-19 pandemic.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
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info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19524
10.9744/kata.24.2.81-89
k@ta; Vol 24 No 2 (2022): DECEMBER 2022; 81-89
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19524/18700
Copyright (c) 2022 Yuliyanto Chandra
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19525
2022-07-05T02:14:00Z
ing:EDT
oai:kata.petra.ac.id:article/19530
2023-06-12T04:21:23Z
ing:ART
The Construction of Masculinity in Layangan Putus
Widodo, Mercillia
Mochtar, Jenny
A phenomenal sinetron, Layangan Putus, has enraptured and polarized Indonesian audiences when it was aired. With its accessibility and popularity, sinetron is a powerful tool of the construction of identity and is a source of potent, though sometimes invisible, ideologies. The construction of masculinity is evident through four social forms of images, myths, discourses and practices proposed by Reeser (2010). The main character, Aris, is portrayed as the ideal man with his capability to provide and attract women. This notion is in full contrast with other male characters portrayed as ‘failed’ or mediocre, and whose weaknesses only showcase Aris’ dominance. The sinetron depicts the reality as Aris’ qualities are encouraged and even catapulted as the epitome of masculinity. On the other hand, his loss of masculinity in the end serves as a critique towards the idealized masuline man. This suggests the double nature of gender representations in mass media.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-06-09
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19530
10.9744/kata.25.1.42-52
k@ta; Vol 25 No 1 (2023): JUNE 2023; 42-52
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19530/18741
Copyright (c) 2023 Mercillia Widodo, Jenny Mochtar
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19537
2023-06-12T04:21:23Z
ing:ART
Some Womanist Inscriptions in Ebony Reigns’ Song Maame Hwɛ: A Literary Approach
Yeboah, Philomena Ama Okyeso
Sanka, Confidence Gbolo
Bonku, Lucy Korkoi
Music is a part of life in Ghana. Studying a people’s music brings one closer to understanding them since music and reality are intertwined. Despite this reality, the contribution of popular music to national discourse has not received adequate research attention in Ghana. This paper sets out to study the lyrics of one of the songs of Ebony Reigns (Opoku-Kwarteng Priscilla), a Ghanaian musician who died few years ago. Using the womanist theory, the paper investigates how the tenets of this theory are inscribed in the song, the problems that womanism addresses in the song and their implications to the Ghanaian youth. The researchers conclude from the analysis in the paper that the youth have to use social media with caution; they need to listen to advice from the elderly in choosing life partners and the African woman needs to fight for self-expression and liberation through positive cultural means.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-06-09
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info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19537
10.9744/kata.25.1.16-30
k@ta; Vol 25 No 1 (2023): JUNE 2023; 16-30
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19537/18739
Copyright (c) 2023 PHILOMENA OKYESO AMA ABAKA, CONFIDENCE GBOLO SANKA, LUCY KORKOI BONKU
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19539
2023-01-05T07:27:43Z
ing:EDT
COVER, CONTENT, INFORMATION
k@ta, Journal
.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2022-12-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19539
10.9744/kata.24.2.%p
k@ta; Vol 24 No 2 (2022): DECEMBER 20220
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19539/18703
oai:kata.petra.ac.id:article/19545
2023-12-18T06:25:26Z
ing:ART
Red Badge of Courage and Jalan Tak Ada Ujung: Comparing Indonesia’s and America’s National Masculinity
Hidayatullah, Danial
Masculinity linked to conflict or war is often seen as hegemonic. This research offers two literary texts from two different countries: Stephen Crane’s The Red Badge of Courage (2005) and Muchtar Lubis’ Jalan Tak Ada Ujung (The Endless Road) (1952). By comparing and contrasting both countries in terms of non-hegemonic masculinities of the protagonist characters, the pattern of masculinities of each nation, which is often overlooked, can be explainable. We can identify variations of masculinities in classic fiction, which reflect the national discourses. By utilizing the notion of focalization, the method of narratology can locate the power relation and agency in the story. Post-war anxiety as well as the ideology of fatherism and momism constructs the national gendered discoures. Indonesia’s masculinity resists the legitimate and privileged as well as the status-quo concept of national masculinity. The resistance implies that Indonesia’s national masculinity is more diverse and progressive than America’s is.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-12-18
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19545
10.9744/kata.25.2.81-91
k@ta; Vol 25 No 2 (2023): DECEMBER 2023; 81-91
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19545/18743
Copyright (c) 2023 Danial Hidayatullah
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19561
2023-12-18T06:25:26Z
ing:ART
Ideological Ambivalence: A Social Semiotic Multimodal Analysis of LGBT Activism in @WhatIsUpIndonesia
Auliainsani, Elda Nisya
Anjarningsih, Harwintha Yuhria
Many people have attempted to criminalize the LGBT community. This study aims to examine how @WhatIsUpIndonesia negotiates the supported ideology with the dominant ideology in their Instagram posts about criminalizing LGBT people through two different cases; the proposed revision of Indonesia's Criminal Code (RKUHP) and Bogor’s Regional Regulation on the Prevention and Countermeasures Against Sexually Deviant Behavior. A corpus of two posts about the two cases is analyzed using social semiotic multimodal analysis in two steps: textual analysis and visual analysis. This study finds that WIUI negotiates its relatively liberal values with the dominant conservative ideology in Indonesia by choosing ambivalence through the shifting focus and overgeneralizing the issue using recontextualization and memes. In conclusion, two opposing ideologies in social media activism can be negotiated using ambivalence instead of leaning towards only one. However, the limitations of this research prevented a thorough examination of how WIUI interacts with its audience.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-12-18
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info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19561
10.9744/kata.25.2.65-80
k@ta; Vol 25 No 2 (2023): DECEMBER 2023; 65-80
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19561/18744
Copyright (c) 2023 Elda Nisya Auliainsani, Harwintha Yuhria Anjarningsih
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19568
2023-12-18T06:25:26Z
ing:ART
The Dark and Dry Well: Hidden Psychotic Disorders in Murakami Haruki’s Novel
Riveria, Zhafira Kania
Purnomo, Antonius Rahmat Pujo
The personal secrets of humans are just as though a deep and dark well. The peculiarities that occur within human beings not only attract numerous psychiatrists to unravel them but also captivate a Japanese writer, Haruki Murakami. In his novel entitled The Wind-Up Bird Chronicle, he conveys subjective experiences through his main character. The novel tells the story of Toru Okada’s subconscious journey. It is where human memories connect with various ancient subconscious thoughts, strange illusions appear, and unheard voices manifest to ordinary humans. These are common indications of schizophrenia symptoms. The research reveals the challenge in identifying this syndrome, as affected individuals become detached from the “true reality.” Consequently, a more structured approach is deemed necessary to facilitate their reintegration. With the assistance of mythology, wherein this narrative serves as a collectively recognized storyline, those trapped within their fantastical worlds can effectively communicate and establish connections with those residing in the “true reality.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-12-18
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info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19568
10.9744/kata.25.2.126-136
k@ta; Vol 25 No 2 (2023): DECEMBER 2023; 126-136
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19568/18747
Copyright (c) 2023 Zhafira Kania Riveria, Antonius Rahmat Pujo Purnomo
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19577
2023-12-18T06:25:26Z
ing:ART
Attitude Realization in Omicron News Reporting: Appraisal in Critical Discourse Analysis
Indriyani, Fifi
Widyastuti, Susana
News production is a discursive act and a value-laden process through which media reports social issues using various stances to articulate certain ideologies. However, how reporters construct their stance and relationship with their readers has yet to significantly be an object of systematic investigation. This study sheds some light on the attitude of The Jakarta Post towards the spread of Omicron to reveal the media’s stances and ideological positions, in which certain interests play a role in discourse production. The principles of appraisal system and Critical Discourse Analysis (CDA) were deployed to examine 25 news articles about Omicron. The results reveal how language construes attitude and enables writers to position themselves evaluatively in certain aspects. While politically it deploys attitudinal resources to portray its neutral position, economically The Jakarta Post discloses itself as a media that accommodates its plural readers to maximize advertising revenue and reading traffic. This ideological stance is interpreted in light of the socio-political dimension that shapes news reporting.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-12-18
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info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19577
10.9744/kata.25.2.111-125
k@ta; Vol 25 No 2 (2023): DECEMBER 2023; 111-125
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19577/18746
Copyright (c) 2023 Fifi Indriyani, Susana Widyastuti
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19581
2023-03-21T04:35:49Z
ing:ART
Designing a Mobile Game Based on Augmented Reality Application for Learning Media
Suratno, Antonius
Nugroho, Erdhi Widyarto
Designing games for educational purposes needs to consider various aspects that help lead to the making of a good game. This study aims to describe users’ responses towards the potential of the game for blended learning, the design stages and the trial which encompass pre-design input taking, design stages, trial, and evaluation. The inputs from the pre-design stage have been the basis for the media design; the trial stage inputs from the prospective users and two experts provide feedback for the validity of media both in content and construct aspects. The research subjects involved 100 Junior high school students, 5 English language teachers, and 1 game design expert. The tools of data collection are questionnaire and semi-structured interview which were developed by the researchers. The intended subject for which this game is designed is reading comprehension and the study is planned to be conducted in approximately eight months. Both types of feedback were used to evaluate the readiness of the media for the real use for blended learning model. The results showed that the validity in content and construct aspects were both very good. The trial result also suggests that the game is considered a decent product, attractive and easy to use for independent learning. Thus, the final evaluation suggests that the media is readily usable for the real context of blended learning.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-03-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
http://kata.petra.ac.id/index.php/ing/article/view/19581
10.9744/kata.25.00.1-8
k@ta; Vol 25 No 00: SPECIAL EDITION, MARCH 2023; 1-8
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19581/18707
Copyright (c) 2023 Antonius Suratno, Erdhi Widyarto Nugroho
http://creativecommons.org/licenses/by/4.0
oai:kata.petra.ac.id:article/19582
2023-03-21T04:35:49Z
ing:ART
On “Multitude” and the Urban Question: Reading in Times of Pandemics
Kusno, Abidin
“Multitude” is a term popularized by Antonio Negri and Michael Hardt to conceptualize the labor condition and its political possibilities in the post-Fordist regime of capital accumulation. This paper seeks to explore such a concept in the context of an Indonesian city. It argues that the Indonesian multitude is formed through the worldwide division of labor, which involves the urban majorities whose work cut across formal and informal sectors. It teases out the absence of the “urban question” in the Indonesian city as a context for understanding the challenges faced by the Indonesian multitude. The paper (in light of post-pandemic) calls for the role of the state to serve as a medium for achieving societal goals and a guarantor of public access to Universal Basic Assets covering education, health, housing, technology, and information.
The English Department, Faculty of Humanities & Creative Industries, Petra Christian University
2023-03-20
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info:eu-repo/semantics/publishedVersion
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http://kata.petra.ac.id/index.php/ing/article/view/19582
10.9744/kata.25.00.9-14
k@ta; Vol 25 No 00: SPECIAL EDITION, MARCH 2023; 9-14
2302-6294
1411-2639
eng
http://kata.petra.ac.id/index.php/ing/article/view/19582/18708
Copyright (c) 2023 Abidin Kusno
http://creativecommons.org/licenses/by/4.0
078a104e05b51a9020093b984c417092